Charles M. Russell
Found in 6832 Collections and/or Records:
Collage of Two Standing Indians, late 19th century - early 20th century
Two collages of standing Indians. Negative is TU2009.39.268.242.
Colonial Horse and Jester, late 19th century - early 20th century
Negative of TU2009.39.6835 which is a photograph of two models; one of a man on a horse and one of jester wearing a helmet and carrying a sword
Colonial Horseman and Jester, late 19th century - early 20th century
Photograph of two models; one of a man on a horse and one of jester wearing a helmet and carrying a sword. Verso is a stamp that reads 'This is to certify that the subject herewith identified: 2 Orignal Models Colonial Horseman & Jester by C.M. Russell (information handwritten) was an asset of the Estate of Nancy C. Russell, deceased. June 1941 (illegible signature) as executor of the above estate.'
Color picture from the New York World, January 29, 1928
Color picture from the New York World 29 January 1928. Charles M. Russells' "Bruin, not Bunny, Turned the Leaders." Exhibition at the Grand Centeral Galleries.
Color picture from the New York World, January 22, 1928
Color picture from the New York World 22 January 1928, Charles M. Russell's "Jerked Down."
Color picture from the New York World, January 8, 1928
Color picture from the New York World 8 January 1928 "The Stranglers" by Charles M. Russell.
Color Prints, late 19th century - early 20th century
Seven color proofs of Charles M. Russell's sketch titled, 'White Man's Skunk Wagon.' Prints developed by Metropolitan Engravers. A color print B black and white print C color print D blue print E red and yellow print F red print G yellow print
Color Prints, late 19th century - early 20th century
Seven color proofs of Charles M. Russell's painting, An Unscheduled Stop. Prints developed by Metropolitan Engravers. A color print B black and white print C color print D blue print E red and yellow print F red print G yellow print
Color Proofs, late 19th century - early 20th century
Seven color proofs of Charles M. Russell's oval self-portrait. Prints developed by Metropolitan Engravers. A and C full color prints B black and white prints D blue print E red and yellow print F red print G yellow print
Color Proofs, late 19th century - early 20th century
Six color proofs of Charles M. Russell's ' A Dream of Burlington' from Metropolitan Engravers. A full color proof B black and white proof C faded color proof D blue color proof E red and yellow proof F red proof