From Nancy C. Russell, July 12, 1927, acknowledges receipt of check for $5500 for "In Enemy's Country", also mentions the book "Trails Plowed Under".

From Nancy C. Russell, Feb. 26, 1929, she was glad to hear about the two little models, Nancy C. Russell thinks "The Enemy Warns" was dreadful, she has commissioned a California artist to do "Waterhole" for Sack, apparently the idea for "Waterhole" came from Sack's communication with Charles M. Russell's spirit, Nancy C. Russell mentions that Joe deYong and Charlie Beil have remodeled "The Cryer".

From Nancy C. Russell, Jan. 4, 1929, Nancy C. Russell states her concern over the return of the bronzes and the painting, "Roping Fresh Mounts", she had borrowed them for an exhibit, Nancy C. Russell states that Joe deYong is working on a background for "High Wide and Handsome", she thinks that there seems to be no chance for reducing the prices on "those little wax models".

From Nancy C. Russell, Jan. 14, 1929, the Roman Bronze Co. has cast some bronzes, but they look awful; asks Sack to go take a look at the rest of the bronzes to see if they are all in bad condition.

From George Sack, April 19, 1928, Nancy C. Russell asks Sack to track down a picture, "Whose Meat", formerly owned by W.B. Walker.

From Nancy C. Russell, March 9, 1928, she has received the box of artwork from Sack; it was all in very good condition, even the wax models, mentions "In Enemy's Country" and "Roping Fresh Mounts".

From Nancy C. Russell, March 22, 1928, sends a pen sketch to Sack, no title given.

From Nancy C. Russell, March 27, 1928, acknowledges receipt of check for "Roping Fresh Mounts", she sends along a description of the scene by Charles M. Russell, states she is working diligently on the book, and she is looking forward to the visit by the Sacks.

For George Sack, a list of Charles M. Russell works and their prices.

For George Sack, list of bronzes and their prices.