From George Sack, March 15, 1929, Sack is delighted with "The Waterhole", Charles M. Russell is remodeling "The Cryer" in the spirit world--Sack has a hobby of trying to contact spirits through a ouija board.

Handwritten, from George Sack, Feb. 18, 1929, he says that Roman Bronze Company will let him see every piece of sculpture in wax, this will be a quality control measure, still talking to Charles M. Russell in the spiritual world.

From Nancy C. Russell, March 19, 1929, she gives Sack more information regarding the progress of "The Waterhole".

From Nancy C. Russell, Dec. 7, 1926, she is having the plaster cast of "Secrets of the Night" sent home for repair, when the bronzes have been cast, one will be sent to Sack, the bronze buffalo runner is also ready for Sack.

From Nancy C. Russell, March 20, 1927, speaks about squaw sitting, a plaster cast by Charles M. Russell.

From Nancy C. Russell, Feb. 26, 1929, she was glad to hear about the two little models, Nancy C. Russell thinks "The Enemy Warns" was dreadful, she has commissioned a California artist to do "Waterhole" for Sack, apparently the idea for "Waterhole" came from Sack's communication with Charles M. Russell's spirit, Nancy C. Russell mentions that Joe deYong and Charlie Beil have remodeled "The Cryer".

From Nancy C. Russell, Jan. 4, 1929, Nancy C. Russell states her concern over the return of the bronzes and the painting, "Roping Fresh Mounts", she had borrowed them for an exhibit, Nancy C. Russell states that Joe deYong is working on a background for "High Wide and Handsome", she thinks that there seems to be no chance for reducing the prices on "those little wax models".

From Nancy C. Russell, March 9, 1928, she has received the box of artwork from Sack; it was all in very good condition, even the wax models, mentions "In Enemy's Country" and "Roping Fresh Mounts".

Folder 54

Folder 51