Homer E. Britzman
Found in 586 Collections and/or Records:
From Homer E. Britzman to Katharine Young, January 18, 1939
From Homer E. Britzman, January 18, 1939, offering forty more, leaving town on business, needs her advice on the offer.
From Homer E. Britzman to Katharine Young, February 7, 1939
From Homer E. Britzman, February 7, 1939, he is having the paintings shipped to a dealer in New York; he is still interested in them.
From Homer E. Britzman to Katharine Young, February 21, 1939
Typed letter from Homer E. Britzman to Katharine Young dated February 21, 1939 states that he will send an extra $100 for the paintings but he would like her to have them shipped back.
From Homer E. Britzman to Katherine Young, August 19, 1938
From Homer E. Britzman, August 19, 1938, he may be interested in Young's Charles M. Russell paintings, wants her to send photographs and descriptions.
From Homer E. Britzman to Katherine Young, August 29, 1938
From Homer E. Britzman, August 29, 1938, he regrets that he cannot tell too much from the snapshots, he would like her to send verbal information about the paintings before she sends them.
From Homer E. Britzman to Mr. Fillmore Phipps, May 18, 1938
From Homer E. Britzman, May 18, 1938, checks with Phipps concerning the Charles M. Russell collections of Will Rogers and Doheny.
From Homer E. Britzman to Mrs. Andrews, January 25, 1939
From Homer E. Britzman, January 25, 1939, states that he needs Mrs. Andrews' help in locating Percy Raban for information which might be of help in a book which Mr. Rankin is writing.
From Homer E. Britzman to Mrs. Douglas Robert, October 12, 1939
From Homer E. Britzman, October 12, 1939, interested in her Charles M. Russell sketches and wants to know how much she wants for them.
From Homer E. Britzman to Mrs. E.S. Wills, November 15, 1937
From Homer E. Britzman, November 15, 1937, requests a photograph of the painting.
From Homer E. Britzman to Mrs. John Young, January 10, 1939
From Homer E. Britzman, January 10, 1939, he requests her to sign the receipt he is enclosing which outlines the history of the pictures; he wants this signing as proof of the images' authenticity.