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paintings

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Art & Architecture Thesaurus\OBJECTS FACET\Visual Works\visual works\visual works by medium or technique\

Found in 1599 Collections and/or Records:

Letter from Nancy C. Russell to George Sack, January 20, 1928

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2838
Description

From Nancy C. Russell, Jan. 20, the original "night letter" mentioned in TU2009.39.2837, offered a painting for sale for $5000.

Dates: January 20, 1928

Letter from Nancy C. Russell to George Sack, February 8, 1928

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2840.1-2
Description

From Nancy C. Russell, Feb. 8, 1928, she regrets that Sack is unhappy with the painting, "In the Enemy's Country", he wants to trade Nancy C. Russell for "Roping Fresh Mounts", Nancy C. Russell also sends a colored pen sketch to Sack, she says she will simply pay Sack for the bronze "War Dancers" if the sketch is unsatisfactory.

Dates: February 8, 1928

Letter from Nancy C. Russell to George Sack, October 11, 1929

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2845
Description

From Nancy C. Russell, Oct. 11, 1929, Sack has rejected the small oil, "The War Party", Nancy C. Russell has another prospective buyer for it, she thanks Sack for sending "Horse Wrangler" to Mr. Vose, Sack has received "The Cryer", and Nancy C. Russell also mentions the book "Good Medicine".

Dates: October 11, 1929

Letter from Nancy C. Russell to George Sack, October 2, 1929

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2847
Description

From Nancy C. Russell, Oct. 2, 1929, she offers the small oil "The War Party" to Sack; Judge Simpson, who previously owned it, decided to turn it in on "Where Sioux and Blackfeet Meet".

Dates: October 2, 1929

Letter from Nancy C. Russell to George Sack, August 14, 1929

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2850.1-4
Description

From Nancy C. Russell, Aug. 14, 1929, she believes that the painting, "War Party", will be available for purchase by Sack, she is sending "The Cryer" and "Horse Wrangler" to him.

Dates: August 14, 1929

Letter from Nancy C. Russell to George Sack, January 9, 1926

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2818
Description

From Nancy C. Russell, Jan. 9, 1926, she says Charles M. Russell has not wanted to work on anything but "The Enemy's Tracks", a painting for the Sacks, Nancy C. Russell suggests that Sack would miss the Navajo picture if it were taken away.

Dates: January 9, 1926

Letter from Nancy C. Russell to George Sack, March 31, 1925

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2821
Description

From Nancy C. Russell, March 31, 1925, Russells are glad that Sack is enjoying "Counting Coup", speaks of "The Scout Dance" and "The Indian Family".

Dates: March 31, 1925

Letter from Nancy C. Russell to George Sack, May 11, 1927

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2826.1-4
Description

From Nancy C. Russell, May 11, 1927, encloses bill for the bronze, she says she must have "Tracks Tell Tales that Rivers Make Secrets" for the Memorial in November, she is sending him some photographs of original works for sale, "Free Trapper" is one, she says she still has "Catching Fresh Mounts", paintings for sale from $3500 to $15,000.

Dates: May 11, 1927

Letter from Nancy C. Russell to George Sack, May 10, 1927

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2827.1-4
Description

Handwritten, from Nancy C. Russell, May 10, 1927, almost a duplicate of TU2009.39.2826.

Dates: May 10, 1927

Letter from Nancy C. Russell to George Sack, January 4, 1929

 Item — Folder Unknown: [Barcode: 255.Unknown]
Identifier: TU2009.39.2857.1-2
Description

From Nancy C. Russell, Jan. 4, 1929, Nancy C. Russell states her concern over the return of the bronzes and the painting, "Roping Fresh Mounts", she had borrowed them for an exhibit, Nancy C. Russell states that Joe deYong is working on a background for "High Wide and Handsome", she thinks that there seems to be no chance for reducing the prices on "those little wax models".

Dates: January 4, 1929