paintings
Found in 1599 Collections and/or Records:
From Homer E. Britzman to Katharine Young, October 18, 1938
From Homer E. Britzman, October 18, 1938, he asks for a history of the paintings, he is interested in any other Charles M. Russell paintings she might have.
From Homer E. Britzman to Katharine Young, October 27, 1938
From Homer E. Britzman, October 27, 1938, he states that he is in the oil business; he is interested in seeing her other Charles M. Russell paintings.
From Homer E. Britzman to Katharine Young, November 22, 1938
From Homer E. Britzman, November 22, 1938, he wants more information on the arrival of the paintings.
From Homer E. Britzman to Katharine Young, December 19, 1938
From Homer E. Britzman, December 19, 1938, states he is ready to receive the paintings.
From Homer E. Britzman to Katharine Young, February 7, 1939
From Homer E. Britzman, February 7, 1939, he is having the paintings shipped to a dealer in New York; he is still interested in them.
From Homer E. Britzman to Katharine Young, February 21, 1939
Typed letter from Homer E. Britzman to Katharine Young dated February 21, 1939 states that he will send an extra $100 for the paintings but he would like her to have them shipped back.
From Homer E. Britzman to Katherine Young, August 19, 1938
From Homer E. Britzman, August 19, 1938, he may be interested in Young's Charles M. Russell paintings, wants her to send photographs and descriptions.
From Homer E. Britzman to Katherine Young, August 29, 1938
From Homer E. Britzman, August 29, 1938, he regrets that he cannot tell too much from the snapshots, he would like her to send verbal information about the paintings before she sends them.
From Homer E. Britzman to Mrs. E.S. Wills, November 15, 1937
From Homer E. Britzman, November 15, 1937, requests a photograph of the painting.
From Homer E. Britzman to Mrs. John Young, January 10, 1939
From Homer E. Britzman, January 10, 1939, he requests her to sign the receipt he is enclosing which outlines the history of the pictures; he wants this signing as proof of the images' authenticity.