bronzes
Found in 862 Collections and/or Records:
Letter from John E. Holmes to Nancy C. Russell, March 25, 1929
Letter from Nancy C. Russell to George Sack, February 8, 1928
From Nancy C. Russell, Feb. 8, 1928, she regrets that Sack is unhappy with the painting, "In the Enemy's Country", he wants to trade Nancy C. Russell for "Roping Fresh Mounts", Nancy C. Russell also sends a colored pen sketch to Sack, she says she will simply pay Sack for the bronze "War Dancers" if the sketch is unsatisfactory.
Letter from Nancy C. Russell to George Sack, March 11, 1929
From Nancy C. Russell, March 11, 1929, sending Sack four views of "The Cryer".
Letter from Nancy C. Russell to George Sack, March 19, 1929
From Nancy C. Russell, March 19, 1929, she gives Sack more information regarding the progress of "The Waterhole".
Letter from Nancy C. Russell to George Sack, December 7, 1926
From Nancy C. Russell, Dec. 7, 1926, she is having the plaster cast of "Secrets of the Night" sent home for repair, when the bronzes have been cast, one will be sent to Sack, the bronze buffalo runner is also ready for Sack.
Letter from Nancy C. Russell to George Sack, May 11, 1927
From Nancy C. Russell, May 11, 1927, encloses bill for the bronze, she says she must have "Tracks Tell Tales that Rivers Make Secrets" for the Memorial in November, she is sending him some photographs of original works for sale, "Free Trapper" is one, she says she still has "Catching Fresh Mounts", paintings for sale from $3500 to $15,000.
Letter from Nancy C. Russell to George Sack, February 26, 1929
From Nancy C. Russell, Feb. 26, 1929, she was glad to hear about the two little models, Nancy C. Russell thinks "The Enemy Warns" was dreadful, she has commissioned a California artist to do "Waterhole" for Sack, apparently the idea for "Waterhole" came from Sack's communication with Charles M. Russell's spirit, Nancy C. Russell mentions that Joe deYong and Charlie Beil have remodeled "The Cryer".
Letter from Nancy C. Russell to George Sack, January 4, 1929
From Nancy C. Russell, Jan. 4, 1929, Nancy C. Russell states her concern over the return of the bronzes and the painting, "Roping Fresh Mounts", she had borrowed them for an exhibit, Nancy C. Russell states that Joe deYong is working on a background for "High Wide and Handsome", she thinks that there seems to be no chance for reducing the prices on "those little wax models".
Letter from Nancy C. Russell to George Sack, January 14, 1929
From Nancy C. Russell, Jan. 14, 1929, the Roman Bronze Co. has cast some bronzes, but they look awful; asks Sack to go take a look at the rest of the bronzes to see if they are all in bad condition.
Letter from Nancy C. Russell to Grand Central Galleries, May 11, 1927
From Nancy C. Russell, to Edward S. Barrie, May 11, 1927, states that the Roman Bronze company has sent two bronzes to the gallery: "Where the Best of Riders Quit" and "The Mountain Mother", they have nearly completed "Meat for Wild Men", Cole and Sack will lend their paintings for the coming exhibition, and Nancy C. Russell wants to know how much space she will have to exhibit the objects.