Cheyenne (culture or style)

Description Josiah Gregg was the trader and writer.From catalog info:Indian Territory/Western United StatesJosiah Gregg (1806-1850)Scale: 1:3,500,000Atlas plate #29 from Sidney E. Morese & Samuel Breese Cerographic Atlas of the United States, 1842, 32 maps. This map also appears in Josiah Gregg's book, Comerese of the Prairies, 1850, facing p.58.Phillips Atlases, vol.1, p.773 (entry #1383).Phillips Maps p.332. ...

Description

Photograph of two Cheyenne scouts posing in a studio setting. Label at the bottom. Attached to paper board.

Scope and Contents Inscribed by hand in blue ink, "EFG Edison Pinnacle info March 3, 1989" in lower center on verso Curatorial Remarks Community Elder Tags: Pinnacle, March 3 1989, Dana Tiger Art Show, Smithsonian World, Blackboard, hand drawn map of Indian territory 1866, No Man's Land, Cherokee Outlet, Cheyenne, Arapahoe, Greer County, Comanche, Kiamichi, apache, Chick a Saw, Creek, osage, cherokee, Choctaw, playbill, Oklahoma! The surrey with the fringe...

Description A Cheyenne man wearing a war shirt decorated in beadwork strips and eagle feathers and an eagle feather bonnet with ermine skins, counts coup on his opponent as he fires his weapon. His horse has been readied for battle with paintings on his rear, flank, and chest, a scalp and eagle feather hanging from his chin, and his tail tied with a red wool cloth strip. The horse carries a painted and feathered warrior's society sash. From the article: Preserving History in the Southern...

Description A warrior leans to the side of his horse to strike a Pawnee with his saber. The Pawnee, identified through his distinctive hair style, wears a cotton shirt, a breech cloth, blue wool leggings, and garters. A mirror board and powder horn are tied to his belt and he carries a rifle. The Cheyenne carries a distinctive shield painted with images of the full and crescent moons and dragonflies. From the article: Preserving History in the Southern Plains: Cheyenne and Arapaho Ledger...

Description This drawing summarizes a variety of actions in a few symbols. The warrior in an eagle feather bonnet and trailer is shown from the back as he uses a tomahawk to count coup on an opponent. Three shots have been fired from behind a bluff. The Cheyenne's horse with his tail tied and decorated for battle and an eagle feather and bandana hanging from its chin, stands by as he has been trained to do. From the article: Preserving History in the Southern Plains: Cheyenne and Arapaho...

Description A Cheyenne, wearing an eagle feather bonnet with a long trailer, cuts the head of his Shoshone opponent. The horse, decorated for battle, has been trained to stand by. Both men's rifles lie on the ground. In this drawing, possibly drawn by Red Eagle, the pursuit of the Shoshone who is on foot is shown by the hoof prints and dashes leading to him. From the article: Preserving History in the Southern Plains: Cheyenne and Arapaho Ledger Drawings from Fort Reno, Plains...

Description

A Cheyenne's horse is shot out from under him, his rifle still in hand, as his adversary dressed in a capote fires one shot. For the Cheyenne, recovery from such an event was considered a coup. From the article: Preserving History in the Southern Plains: Cheyenne and Arapaho Ledger Drawings from Fort Reno, Plains Indian Art, Created in Community. Emma I. Hansen, Curator Emerita and Senior Scholar for the Buffalo Bill Center of the West, 2016.

Description With his feathered lance, a Cheyenne counts coup on two Crow opponents hiding behind a bluff. The Cheyenne is a distinguished warrior shown through his eagle feather bonnet with long trailer. His horse's tail is tied with trade cloth and eagle feathers, indicating his readiness for battle. The horse's ears have been split – an indication of his training and value in buffalo hunting and battle. From the article: Preserving History in the Southern Plains: Cheyenne and Arapaho...

Description In this drawing from the 1879 ledger book, a Cheyenne warrior counts coup on a fallen adversary as he attempts to shoot his arrow. The artist drew the enemy with few details while his own self-portrait includes identifying features – the black shirt and hat with a silver pin, German silver pendant, bandana with a silver slide, silver arm bands and hair plates, and a shield with images of the sun and full and crescent moons. From the article: Preserving History in the Southern...