Britzman Collection
Found in 12750 Collections and/or Records:
Santa Barbara Daily News, February 15, 1923
Santa Barbara Daily News' dated 15 February 1923 title for the article about the Prince of Wales purchasing a Charles M. Russell painting.
Santa Maria Spring at the Grand Canyon, 1916
Black and white photograph looking north from Santa Maria Spring at the Grand Canyon. Photograph is part of the album TU2009.39.7650. A collection of pictures taken when Charles M. Russell and Nancy C. Russell join Howard Eaton on a six week trip to Arizona. They departed on September 9, 1916 to see the Grand Canyon and visit the Navajo and Hopi country.
Save the Russell Cabin, August 26, 1931
Great Falls Leader, August 26, 1931, "Save the Russell Cabin."
Scaffold Grave, 1910
Photograph of a burial. Coffin situated on a platform above the ground. Handwriting on the back.
Scalp Dancer, late 19th century - early 20th century
A photograph of a bronze dancing Indian man. Recto has typed at the bottom of the photograph, 'Scalp Dancer' and '11' is handwritten in black ink at the bottom left corner.
Scalp Dancer, late 19th century - early 20th century
Photograph of bronze titled, "Scalp Dancer." Bronze depicts man dancing.
Scalp Dancer, late 19th century - early 20th century
Photograph of bronze titled, "Scalp Dancer."
Scalp Dancer, late 19th century - early 20th century
Photograph of bronze titled, "Scalp Dancer." Bronze depicts man dancing.
Scoop: The Cub Reporter, 1913
Clipping of a newspaper comic on pink paper entitled "Scoop: The Cub Reporter" by "Hop". Panel about Charles M. Russell; child goes to visit, insults the artist--"Gee it must be great not to have to work for a living"--and Charles M. Russell thrusts his palette in the boy's face and walks away. 1913. The Chicago Evening Post.
Scounting the Enemy, late 19th century - early 20th century
Page from an album with photograph pasted onto the paper. Image is of Charlie Russell bronze Indian on horse. Pasted on the back is a text panel that reads: 'This Blackfoot in full battle array is scouting in advance of his war party--a striking figure mounted on his favorite pony--which was carried his master through three successful battles as indicated by the 'coup' marks on the pony's flank.'