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Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Art & Architecture Thesaurus\ACTIVITIES FACET\Functions\functions (activities)\functions by specific context\business and related functions\business\
Found in 55 Collections and/or Records:
Letter from M. C. Findlay to Thomas Moran about paintings purchased by the Findlay Galleries, August 13, 1924
Item — Folder 121: [Barcode: 150.121]
Identifier: 3827.827
Description
Folder 121
Dates:
August 13, 1924
Letter from The Saturday Evening Post’s Editor in Chief George H. Lorimer to Thomas Moran regarding a purchased painting, April 21, 1919
Item — Folder 110: [Barcode: 150.110]
Identifier: 3827.815
Description
Folder 110 Curatorial Remarks The letter is in reference to Moran's 1892 oil painting of the Grand Canyon of the Colorado, currently in the collection of the Philadelphia Museum of Art. The painting was donated to the museum by Graeme Lorimor, the son of George H. Lorimor. The painting was the source for Gustave H. Buek's chromolithograph The Grand Canyon of the Colorado, 16.221c. See Wilkins, Thurman. Thomas Moran: Artist of the Mountains....
Dates:
April 21, 1919
Letter from Thomas Moran to G. H. Buek regarding the price of a painting, September 14, 1909
Item — Folder 104: [Barcode: 150.104]
Identifier: 3827.811
Description
Folder 104 Curatorial Remarks This letter concerns the monetary value of a painting by J. M. W. Turner owned by Thomas Moran. The painting was the basic for Moran's etching Conwy Castle after Turner {Gilcrease 14.391a}. See Morand, Anne and Nancy Friese, T. Victoria Hansen, Linda C. Hults. The Prints of Thomas Moran in the Thomas Gilcrease Institute of American HIstory and Art. Edited by Linda C. Hults, assisted by Nancy C. Hermann. Tulsa,...
Dates:
September 14, 1909
Newspaper clipping of Thomas Moran's artwork, Venice, late 19th century - mid-20th century
Item — Folder 273: [Barcode: 150.273]
Identifier: 4317.5761
Description
Folder 273
Dates:
late 19th century - mid-20th century
Newspaper clipping of Thomas Moran's painting Fishing Pond, Long Island at the Moulton & Ricketts Gallery , early 20th century - mid-20th century
Item — Folder 367: [Barcode: 150.367]
Identifier: 4317.5663
Description
Folder 367
Dates:
early 20th century - mid-20th century
One photograph and two pages from a catalogue of Thomas Moran's "Cockington Lane" in Torquay, England, 1910
Item — Folder 243: [Barcode: 150.243]
Identifier: 4317.5694
Description
Folder 243
Dates:
1910
Photograph of a Thomas Moran's painting originally owned by Fred Harvey of "El Tovar" lodge, 1905
Item — Folder 319: [Barcode: 150.319]
Identifier: 4317.5600
Description
Curatorial Remarks
Folder 319
Curatorial Remarks
Handwritten note on mount: Sold to Mr. Oliver of Baltimore by Fred Harvey, El Tovar, 1905
Sandra Pauly, Luce Curatorial Scholar of American Art, 2022
Dates:
1905
Photograph of Thomas Moran artwork, A Long Island Landscape, 1902
Item — Folder 372: [Barcode: 150.372]
Identifier: 4317.5660
Description
Curatorial Remarks
Folder 372
Curatorial Remarks
Handwritten note on mount: Sold to Moulton/Dealer/Chicago
Sandra Pauly, Luce Curatorial Scholar of American Art, 2022
Dates:
1902
Photograph of Thomas Moran's artwork A Gray Day on Mountauk , 1905
Item — Folder 363: [Barcode: 150.363]
Identifier: 4317.5676
Description
Folder 363
Dates:
1905
Photograph of Thomas Moran's artwork, Bridge and Tower of Torcello, 1891
Item — Folder 260: [Barcode: 150.260]
Identifier: 4316.5753
Description
Curatorial Remarks
Folder 260
Curatorial Remarks
Handwritten note on verso states: "Sold in Denver"
Sandra Pauly, Luce Curatorial Scholar of American Art, 2022
Dates:
1891